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Ronnie Douglas is one of many incredibly talented
aboriginal musicians. An Ojibway from the Mnjikaning (Rama) First Nation in
Ontario, he is the winner of the 1999 Toronto Blues Society New Talent Search
Contest.
Douglas' debut disc, Big Brother, won the 2001 Best
Blues recording at the Canadian Aboriginal Music Awards. Recorded live off the
floor, it contains 10 tracks (including eight originals), plays for 47 minutes
and was produced by the Ronnie Douglas Blues Band and Stephen K. Henry.
At times, the band's country, R&B and rock roots surface but all
tunes are rich in the old Chicago Blues tradition with predictable themes of
women and drinking. Though this CD may not attract many new listeners to the
genre, it is oh-so-good for those already converted. If you are a purist who
feels traditional blues should only be performed by African-Americans, take the
time to learn the cultural and musical parallels between them and First
Peoples.
With a voice sounding like a cross between Jimmie Vaughan and
ZZ Top, Ronnie sings all the songs and plays guitar. The rest of the band
includes: Dave Hewitt, drums; Peter Loudon, bass; Bob Federer, keyboards; and
Greg Duncan, harmonica.
Picture a stripped-back, "unplugged" blues
disc and you will be ready for Big Brother. The keyboards and harp are
invigorating throughout the entire disc and support Ronnie's forefront vocals,
particularly on On My Way, where ragtime piano is also included. This
composition is also featured on the CD Skin Tight Blues - First Peoples
Blues Compilation.
You Don't Know contains a slow but
memorable rhythm where the organ looms like a dark storm cloud. The lyrics are
about the inspiration and support that can only be experienced via a loving
relationship. Chess-era blues emerges on Don't You Know? Here, Duncan's
harp doesn't wail, but glides while Federer's organ grooves majestically.
Meanwhile, Douglas's guitar work is so simple, it is advanced.
Good
Time Baby is in the vein of the Allman Brothers' version of "Stormy
Monday". Why Am I Drinkin'? is a humourous reflection on the many
reasons why drinking should not be such a popular pastime. Ronnie's arrangement
of Muddy Waters' timeless Blow Wind Blow meshes perfectly with the
original tunes. In fact, if you didn't recognize the song's name or the lyrics,
you may not think it is a cover.
A couple of instrumentals showcase
this band's two greatest strengths, those being the keyboard and harp work. The
title track is a shuffle while Highway 44 is a lively number with a
swagging and intertwining organ.
Though perhaps not progressive enough
to stand out in a crowd with elements bordering on stereotypical, Big
Brother does demonstrate solid musical talent complementing Douglas'
songwriting abilities.
Copyright 2003. Review by Tim Holek.
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